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Editorial Reviews

Product Description

A meticulous depiction of the numbing and normalizing effects of television, Michael Haneke's 71 Fragments of a Chronology of Chance (1994) "is the most intelligent and powerful study by cinema" (Maximilian Le Cain, Senses of Cinema) of the 20th century's quintessential medium. A "cool, cerebral and painstaking" (Time Out London) examination of several characters, including an Austrian university student who goes on a shooting spree, the third installment of Haneke's "glaciation trilogy" is a mosaic of 71 film tableaux - beautifully shot by cinematographer Christian Berger (Cache and The Piano Teacher). In 71 Fragments, clips of TV news segments on warfare in the former Yugoslavia alternate between stories of urban disconnection. And while continuing to approach filmmaking from an anti-psychological perspective, German-born Haneke assembles a unified work from snippets of narrative, such as Inge (Anne Bennet) and Paul Brunner (Udo Samel) struggling with a newly adopted daughter, and a homeless Romanian boy wandering the streets of Vienna. Moreover, and as expected from Haneke, 71 Fragments closes with an unforgettable cinematic punch, which also stands as a presage of his "later masterpieces by virtue of both its style and thematic core" (Adam Bingham, Senses of Cinema).

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German-Austrian director Michael Haneke's experimental feature film, "i"71 Fragments: A Chronology of Chance, explores the bleak, disjointed lives of several people only to tie them together at the end, during a tragic, violent climax. Five-to-ten minute segments, spliced together, unravel fractured narratives from ten sets of people, ranging from a couple frustrated by their newly-adopted girl, to a daughter who, to spite her aging father, prevents him from spending time with his granddaughter, to a young runaway who survives German winters in subway stations, stealing and panhandling for food, cigarettes, and comic books. Between these narratives, real news footage reporting on Yugoslavian and Turkish wars, and the Michael Jackson molestation trial, makes the world within the film even larger and colder. It’s as if Haneke made ten movies, chopped the films into short strips, and edited them back together like Frankenstein, opting for ambience instead of plot. Full of characters who are "sorry that they exist," "i"71 Fragments contains little of the actual violence that viewers sometimes loathe in Haneke’s work. In an interview included in the extras, Haneke says of this third film in his "glaciation" trilogy, that "i"71 Fragments: A Chronology of Chance documents failed communication. That said, this film meditates on human isolation by distilling violence down into one chilling, final action, feeling more like a cry for help than a wish to separate further from humanity. "i"—Trinie Dalton

71 Fragments of a Chronology of Chance

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Vascular Specialist – September 2021

Vascular Specialist – September 2021

In this issue:

  • We hear from five vascular surgeons on the latest signal around paclitaxel-coated balloon (PCB) use in patients with peripheral arterial disease (PAD)—an increased risk of major amputation—recently reported by Katsanos and colleagues (p. 1 and 4–5)
  • Structural changes made to the 2021 Vascular Annual Meeting (VAM) prove to be a hit with attendees, the VAM program co-chairs reveal (p. 2)
  • Key players behind the first Society for Vascular Surgery (SVS) appropriate use criteria (AUC)—which covers intermittent claudication—unpack some of the details of the document’s development process ahead of its anticipated publication (p. 6)
  • It was a burning question posed from the VAM conference floor, and it led to some approving social media nods in its aftermath: Does the tone of conversation around the vascular anatomy of females need to morph into a discussion about the availability of devices that fit the female anatomy? (p. 10–11)
  • A new study published in a special issue of the Journal of the American Heart Association (JAHA) finds amputation rates are higher for people with PAD who are poor or Black (p. 15)
  • Corner Stitch: McGill University, Montreal, vascular surgery resident Anna Kinio, MD, discusses the art of surgery in the present moment (p. 18)

View the Issue on Vascular Specialist Online

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